Tuesday, March 26, 2024

Beer For My Horses Full Movie

Revisiting Toby Keith’s Beer For My Horses

BEER FOR MY HORSES (2008) Trailer

The headliner at Donald Trumps inauguration co-wrote and starred in an abysmal 2008 vanity project that nonetheless presents an occasionally interesting self-portrait of red state America.

Almost a decade before starring tonight at an inaugural event for Donald Trump, country standout Toby Keith starred in a 2008 film called Beer for My Horses, a cinematic endeavor that managed the exceptional feat of earning 0 percent on the review aggregator Rotten Tomatoes. To be fair, this score was based on a statistically inadequate total of six reviews. But having belatedly caught up with the film, I can attest that its critical reputation is well-earned.

The movie was written by Keith and the comedian/country singer Rodney Carrington , and it is the sole feature directed by Michael Salomon, a music-video director known for his frequent collaborations with Keith. Given the extreme lack of relevant expertise on handthat is to say, acting, screenwriting, and filmmakingit is perhaps no surprise that the movie is a generally inept undertaking: by turns, a comedy that isnt funny, a drama devoid of tension, and an action movie in sore need of a shot of epinephrine.

Its a pity, given that Keith is a likable onscreen presence he harbors political views more eclectic than those generally associated with him and his own songs typically display more wit than anything in this movie .

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Toby Keith

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    Blue Moon Dream Walkin’ And Greatest Hits Volume One

    Keith then signed with the short-lived Nashville division of to release his third album in April 1996. That album received a platinum certification and produced three singles. Its first single, “”, which Keith wrote in 1987, peaked at number 2. Following it were “” at number 6, and “”, which became his third number one hit in March 1997. Keith also appeared on ‘ now out-of-print 1996 album performing a cover of their 1963 hit “” with the Beach Boys themselves providing the harmonies and backing vocals.

    Following a corporate merger, Keith returned to Mercury in 1997. His fourth studio album, , was also his first produced by , who would also serve as Keith’s co-producer until 2005. It produced two consecutive number 2 hits with “” and a cover of ‘s 1996 single “”. Sting also sang duet vocals and played on it, and the two also performed the song at the 1997 awards. After this song, the album’s reached number 5, while “Double Wide Paradise” peaked at number 40.

    How Do You Like Me Now And Pull My Chain

    Beer for My Horses (DVD, 2008) for sale online

    In 1999, Keith moved to ‘ Nashville division, of which Stroud served as president. His first release for the label was “When Love Fades”, which also failed to make Top 40. Upon seeing the single’s poor performance, Keith requested that it be withdrawn and replaced with “”, a song that he wrote with Chuck Cannon, and which had previously been turned down by Mercury. It also served as the title track to his first DreamWorks album, The song spent five weeks at number 1 on the country charts, and became his first top 40 pop hit, with a number 31 peak on the Hot 100. It was also the top country song of 2000 according to the chart. The album, which was certified platinum, produced a Top 5 hit in “” and another number 1 in “”. It was also his first album to feature songs co-written by , who would be a frequent collaborator of Keith’s for the next several albums. Steve Huey wrote that this album “had a rough, brash attitude that helped give Keith a stronger identity as a performer.” In 2001, Keith won the ‘s Top Male Vocalist and Album of the Year awards.

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    Unleashed And Shock’n Y’all

    In 2002, he released the album which included four singles. First was “”, which Keith wrote in 20 minutes as a response to the . The song references Keith’s father, a veteran who died that March in a car accident. Both this song and “” were number 1 hits, with “” reaching number 13. The last single was “”, a duet with which spent six weeks at the top of the country charts. At the time, it was also Keith’s highest entry on the Hot 100, at number 22. In July 2003, Keith made a guest appearance on Scotty Emerick’s debut single “I Can’t Take You Anywhere”, which was previously recorded by Keith on Pull My Chain. Emerick’s version of the song was his only top 40 country hit, at number 27.

    , his eighth studio album, was released in November 2003. The album’s title is a pun on the military term “”. It became his second album from which all singles went to number 1: “”, “”, and “”. Also included on the disc were “The Taliban Song” and “Weed with Willie”, two live songs recorded with Emerick. The album was followed in late 2004 by , which included three new songs: “”, “Go with Her”, and a cover of ‘s “”, recorded as a duet with his daughter, . “Stays in Mexico” was a number 3 hit on the country charts, while “Mockingbird” peaked at number 27.

    Keith’s final DreamWorks album was in early 2005. Lead-off single “” peaked at number 8, followed by “”, which spent six weeks at number 1, and “” at number 5. After the release of the latter, DreamWorks Records ceased operations.

    Beer For My Horses Review

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    Toby Keith And Boomtown

    Keith’s debut single, “”, went to number one on the U.S. chart in 1993, and it reached number 93 on the . This song led off his . By the end of the decade, “Should’ve Been a Cowboy” received more than three million at radio, thus making it the most-played country song of the 1990s. Certified platinum by the for shipments of one million copies, the album produced three more Top 5 hits on the country charts with “” , “” and “” . of wrote of the album, “It is given a production that’s a bit too big, clean, glossy and cavernous for Keith’s goodit fits the outsized sound of early-’90s radio, but not his outsized talentbut beneath that sheen the songs are very strong.” He also thought that it showed the signs of the style that Keith would develop on subsequent albums. The album’s success led to Keith touring with then-labelmates and . Keith and Twain also appeared in ‘s music video for “” in 1993.

    Keith then signed with Nashville and released his second album, , in September 1994. Also certified platinum, this album was led off by the number one single “”. After it, “” and “” both made the Top 10, while “” peaked at number 15. By late-1995, he released his first Christmas album, , via Mercury. Composed entirely of original songs, the album produced one chart entry in “Santa I’m Right Here”, which reached as high as number 50 based on Christmas airplay.

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    Courtesy Of The Red White And Blue

    On March 24, 2001, Keith’s father, H.K. Covel, was killed in a car accident. That event and the in 2001 prompted Keith to write the song “Courtesy of the Red, White, & Blue”, a song about his father’s patriotism and faith in the United States, originally intended only for live shows. According to Keith, following a performance for military leadership, told Keith it was his “duty as an American citizen” to record the song. As the lead single from the album Unleashed , “Courtesy of the Red, White, & Blue” peaked at number one on the July 20, 2002 Billboard chart.

    invited Keith to perform on a 2002 Fourth of July concert it was producing. According to Keith, he was dropped from the show after host heard the song “Courtesy of the Red, White and Blue” and rejected it. Keith was further quoted as saying “Isn’t he ?”, and “I bet wouldn’t kick me off his show.” Dan Rather, in response, stated And I’m not gonna be a hypocrite, you wouldn’t want me to. I like Peter, he’s a good guy. ABC, however, stated that it was the network that did not want to begin the show with an angry song. Jennings later stated that, while the situation was regrettable, opening the show with the song “probably wouldn’t set the right tone”.

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